Ferdinand Pascual Aguilar (Tagalog: [ˈpaskwɐl ɐgiˈlaɾ]; born February 5, 1953), better known as Freddie Aguilar, Ka Freddie Aguilar, or simply Ka Freddie, is a Filipino folk musician and singer-songwriter. Regarded as one of the pillars and icons of Original Pilipino Music (OPM). He is best known for his rendition of "Bayan Ko", which became the anthem of the opposition against the regime of Ferdinand Marcos during the 1986 People Power Revolution, and for his song "Anak", the best-selling Philippine music record of all time. He is heavily associated with Pinoy rock.
He is well known internationally, claiming fame as one of the best musician-songwriters from the Philippines.
Early life
Freddie Aguilar's musical beginnings started when he was young. When he was 9-years-old, Aguilar played his first guitar. By the time he was 19-years-old, Freddie Aguilar performed on stage with Joshua Alcantara for the first time.
Freddie Aguilar studied Electrical Engineering at De Guzman Institute of Technology but did not finish the degree program. Instead he pursued music, became a street musician, and then a folk club and bar musician.
At the age of 18, Aguilar parted ways with his family and quit college. After realizing and regretting his mistakes five years later, he composed the song Anak.
Influences
Freddie Aguilar's influences include British and American folk-rock stars like Cat Stevens and James Taylor. He is also heavily influenced by his Filipino heritage, nationalist feelings, and tries to constitute a musical exploration of the Filipino ethos.
Career
Freddie Aguilar first began performing in public in 1973, when he auditioned and was hired to play folk songs at ₱500 per gig at the Hobbit House in Ermita, Manila.
International acclaim
Aguilar's "Anak" not only broke the Philippine record charts in 1979, but it also hit the no. 1 spot in Japan and achieved considerable popularity in other countries as Angola, Japan, Malaysia, Hong Kong, and parts of Western Europe. The song has become so famous that, by some counts, it has been recorded in as many as a hundred versions in 23 languages throughout the world. Billboard reported that the song was the number two world hit of the 1980s. As of 2006, it was unsurpassed as the highest-selling record of Philippine music history.
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Freddie Aguilar MIDI KARAOKE FILES HERE
- Freddie Aguilar - Alaala (4:00)
- Freddie Aguilar - Anak (EnglishVersion) (3:26)
- Freddie Aguilar - Anak 1 (3:45)
- Freddie Aguilar - Anak 2 (3:59)
- Freddie Aguilar - Anak 3 (3:40)
- Freddie Aguilar - Anak 4 (3:19)
- Freddie Aguilar - Anak 5 (4:02)
- Freddie Aguilar - Anak 6 (3:43)
- Freddie Aguilar - Anak 7 (3:00)
- Freddie Aguilar - Anak 8 (3:07)
- Freddie Aguilar - Ang Dalagang Pilipina (3:18)
- Freddie Aguilar - Ang Umaayaw Ay Di Nagwawagi (3:29)
- Freddie Aguilar - Baleleng (3:12)
- Freddie Aguilar - Bayan Ko (3:36)
- Freddie Aguilar - Buhay Nga Naman Ng Tao 1 (3:10)
- Freddie Aguilar - Buhay Nga Naman Ng Tao 2 (3:03)
- Freddie Aguilar - Bulag Pipi At Bingi 1 (3:30)
- Freddie Aguilar - Bulag Pipi At Bingi 2 (3:38)
- Freddie Aguilar - Estudyante Blues 1 (2:33)
- Freddie Aguilar - Estudyante Blues 2 (2:38)
- Freddie Aguilar - Ha Habol Habol (3:29)
- Freddie Aguilar - Ikaw (Ang Panaginip) (3:39)
- Freddie Aguilar - Ipaglalaban Ko (4:21)
- Freddie Aguilar - Katarungan (3:09)
- Freddie Aguilar - Kumusta Ka Aking Mahal 1 (3:54)
- Freddie Aguilar - Kumusta Ka Aking Mahal 2 (4:46)
- Freddie Aguilar - Kumusta Ka Aking Mahal 3 (4:49)
- Freddie Aguilar - Magbago Ka 1 (3:08)
- Freddie Aguilar - Magbago Ka 2 (3:08)
- Freddie Aguilar - Magdalena 1 (4:08)
- Freddie Aguilar - Magdalena 2 (4:08)
- Freddie Aguilar - Magdalena 3
- Freddie Aguilar - Minamahal Kita
- Freddie Aguilar - Mindanao
- Freddie Aguilar - Napupuyat
- Freddie Aguilar - Pinoy
- Freddie Aguilar - Problema
- Freddie Aguilar - Sa Kuko Ng Agila 1
- Freddie Aguilar - Sa Kuko Ng Agila 2
- Freddie Aguilar - Sigarilyo
MIDIS
- Freddie Aguilar - Anak (Reggae) 1 (3:51)
- Freddie Aguilar - Anak (Reggae) 2 (3:51)
- Freddie Aguilar - Anak 1 (6:05)
- Freddie Aguilar - Anak 2 (4:04)
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